This week’s new entertainment releases include albums from Irish singer-songwriter Hozier and Idina Menzel, the animated “The Monkey King” from Stephen Chow and Jennifer Lawrence’s R-rated comedy “No Hard Feelings.”.

The Flash may be one of the quickest superheroes in the comics, but getting a movie made based on the characters has been a marathon dating back, in some ways, to the late 1980s.

“Spider-Man: Across the Spider-Verse” opened in U.S. and Canadian theaters with a massive $120.5 million, more than tripling the debut of the 2018 animated original and showing the kind of movie-to-movie box-office growth that would be the envy of even the mightiest of Hollywood franchises.

Sunday studio estimates say the gonzo R-rated horror comedy “Cocaine Bear” sniffed up $23.1 million in its opening weekend, while Marvel's “Ant-Man and the Wasp: Quantumania” shrank unusually quickly in its second weekend.

Yes, “Cocaine Bear” is a real movie.

There's no Oscar nominee this year quite like the one from Pamela Ribon.

Ivan Reitman had his army of well-known, frequent collaborators but the filmmaker and producer’s influence extended beyond that too, as evidenced by the tributes that poured in at the news of his sudden passing at age 75.

This week’s new entertainment releases include a new album from the legendary group The Temptations, the latest addition to the animated “Ice Age” franchise and a new series on HBO by “Downton Abbey” creator Julian Fellowes called “The Gilded Age” and starring Carrie Coon, Morgan Spector, Cynthia Nixon and Christine Baranski.

This week’s new entertainment releases include Michael B.

This image released by the Sundance Institute shows a scene from the Edgar Wright film "The Sparks Brothers," an official selection of the Premieres section at the 2021 Sundance Film Festival. Ever heard of the band Sparks? “At some point when you’re a fan of a band like Sparks you become a sort of evangelist for them,” Wright said. “We’d always been hesitant about the idea of having a documentary for Sparks,” said Russell Mael. Wright endeavored to make not just a documentary about Sparks, but to make it feel like a Sparks project as well.