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'Buena Vista Social Club,' 'Death Becomes Her' and 'Maybe Happy Ending' lead Tony Award nominations
Read full article: 'Buena Vista Social Club,' 'Death Becomes Her' and 'Maybe Happy Ending' lead Tony Award nominationsThree Broadway shows — “Buena Vista Social Club,” “Death Becomes Her” and “Maybe Happy Ending” — each earned a leading 10 Tony Award nominations Thursday.
Leslie Odom Jr. to reprise his Tony-winning role in 'Hamilton' this fall
Read full article: Leslie Odom Jr. to reprise his Tony-winning role in 'Hamilton' this fallLeslie Odom Jr_, one of the original cast members of the mega-hit Broadway musical “Hamilton,” is coming back for another shot, a role he says “gave me life.”.
Broadway's Eva Noblezada, Jonathan Groff, Jeremy Jordan, Ben Platt and Kelli O’Hara star on album
Read full article: Broadway's Eva Noblezada, Jonathan Groff, Jeremy Jordan, Ben Platt and Kelli O’Hara star on albumLea Salonga stepped onto a Manhattan stage last spring and sang something unusual for her — “Edelweiss” from the musical “The Sound of Music,” a song usually performed by the paternal Captain von Trapp.
Tonys moments: Hillary Clinton and (sort of) Jay-Z in the house, strides for women and a late upset
Read full article: Tonys moments: Hillary Clinton and (sort of) Jay-Z in the house, strides for women and a late upsetThe Tonys are often the most entertaining of awards shows, with Broadway performers showing their best work.
'The Outsiders' wins best musical and 'Stereophonic' best play as women make strides at Tony Awards
Read full article: 'The Outsiders' wins best musical and 'Stereophonic' best play as women make strides at Tony Awards“The Outsiders” became the essence of a Broadway insider on Sunday as the gritty adaptation of the classic American young adult novel won the Tony Award for best new musical.
Maria Friedman, a longtime friend of Stephen Sondheim, teaches 'Merrily We Roll Along' to sing
Read full article: Maria Friedman, a longtime friend of Stephen Sondheim, teaches 'Merrily We Roll Along' to singOn opening night of the Broadway revival of “Merrily We Roll Along,” one person in the audience strangely wasn’t nervous — the director.