The movie exhibition business is wrapping up one of its slowest Octobers in over 25 years with a sluggish Halloween weekend.

"Tron: Ares" has powered up the box office grid, taking the top spot this weekend.

Taylor Swift's new film, “The Official Release Party of a Show Girl,” has topped the weekend box office with $33 million in North America.

“Demon Slayer: Kimetsu no Yaiba – Infinity Castle” carved out a place in box office history this weekend, slicing straight to No_ 1 to outpace the horror sequel “The Conjuring: Last Rites.”.

“The Conjuring: Last Rites” creeped its way toward a box office win for horror.

“Weapons” crawled its way back to the top of the box office during the Labor Day weekend.

Rival studios on Sunday estimated that the Netflix film, “KPop Demon Hunters” led all films in the box office this weekend with $16-18 million in ticket sales.

“Weapons” scared its way to the top during its debut last weekend and stayed there, beating out “Freakier Friday” for a second time, and the newcomer action movie “Nobody 2.”.

Zach Cregger’s highly anticipated horror film, “Weapons,” and Disney’s sequel comedy, “Freakier Friday,” helped prove that horror and humor can thrive at the box office.

Marvel's first family faltered in its sophomore weekend at the box office, recording a 66% dip in North American theaters.

Apple has its first box-office hit.

“How to Train Your Dragon” took flight at the box office this weekend, proving that some remakes still have teeth.

“Lilo & Stitch” is teaming with Tom Cruise for what may be a record-breaking Memorial Day box office weekend.

“Final Destination: Bloodlines” has topped the domestic box office charts this weekend.

Marvel Studios’ “Thunderbolts” opened with $76 million in domestic ticket sales.

“How to Train Your Dragon” filmmaker Dean DeBlois has heard the “remake fatigue” concerns.

Superman already has a lot on his shoulders.

Superheroes are back in a big way this summer at the movies, with big offerings from both DC and Marvel.

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“A Minecraft Movie” is smashing all box office projections.

In an unexpected upset, the Jason Statham thriller “A Working Man” has taken the No_ 1 spot at the box office, besting the rapidly declining performance of “Snow White.”.

DreamWorks Animation's “Dog Man” fetched $36 million in ticket sales at the weekend box office, making it the biggest debut yet in 2025.

The Keke Palmer buddy comedy “One of Them Days” has opened in first place on the North American box office charts on a particularly slow Martin Luther King Jr. holiday weekend.

Movie ticket sales are taking a bit of a hit in 2024.

In the holiday season battle of big-budget family movies, Paramount Pictures’ “Sonic the Hedgehog 3” sped past the Walt Disney Co.’s “Mufasa: The Lion King” to take the top spot at the box office.

The Spider-Man spinoff “Kraven the Hunter” got off to a disastrous start in North American theaters this weekend.

“Venom: The Last Dance” is enjoying another weekend at the top of the box office charts.

Horror movies topped the domestic box office charts and the Oscar contender “Anora” got off to a sparkling start this weekend.

Francis Ford Coppola’s decades-in-the-making, self-financed epic “Megalopolis” flopped with moviegoers, while the acclaimed DreamWorks Animation family film “The Wild Robot” soared to No. 1 at the weekend box office.

Moviegoers are saying yes to more “Beetlejuice Beetlejuice.”.

“Deadpool & Wolverine" ruled the box office on a weekend of quiet openings and low theater attendance as the summer movie season came to an anticlimactic close.

“Deadpool & Wolverine," “Alien: Romulus” and “It Ends With Us” topped the charts again at the box office, outperforming new releases like “Blink Twice” and “The Crow.”.

After a historically bad first half of the year, the box office is suddenly booming.

“A Quiet Place: Day One” is making noise at the box office.

“Kingdom of the Planet of the Apes” has reigned over the weekend box office.

Alex Garland’s provocative “Civil War” didn’t only ignite the discourse.

Biopic “Bob Marley: One Love” is continuing to exceed expectations.

“Lisa Frankenstein” didn’t come to life at the North American box office in its first weekend in theaters.

Holdovers and Oscar hopefuls dominated the North American box office charts this weekend in the absence of any new wide releases.

Timothée Chalamet and “Wonka” topped the box office charts for the third time in its four weekends in theaters.

Universal and Blumhouse's video game adaptation “Five Nights at Freddy's” topped the North American box office in its second weekend, according to studio estimates Sunday.

Movie theaters turned into concert venues this weekend as Swifties brought their dance moves and friendship bracelets to multiplexes across the country.

“The Exorcist: Believer” took possession of the weekend box office with a North American opening of $27.2 million.

Sylvester Stallone and Jason Statham weren’t enough to save “Expend4bles” from a debut box office flop.

The very online showdown between Greta Gerwig’s “Barbie” and Christopher Nolan’s “Oppenheimer” all started with a date: July 21.

Indiana Jones’ reign atop the box office was short-lived.

Moviegoers were only moderately interested in going to the theater to say goodbye to Harrison Ford’s archaeologist character in “Indiana Jones and the Dial of Destiny.”.

Several new movies infiltrated theaters nationwide this weekend, from a lighthearted trip to Italy with Jane Fonda, Candice Bergen, Diane Keaton and Mary Steenburgen to a Ben Affleck-fronted detective thriller.

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The third installment in the “Magic Mike” series danced its way to the top of the box office charts this weekend with a James Cameron double header, “Avatar: The Way of Water” and “Titanic” (yes that “Titanic”), looming close behind.

“Avatar: The Way of Water” claimed the No. 1 spot on the domestic box office charts for the seventh weekend in a row with an additional $15.7 million according to studio estimates on Sunday.

New movies like “Plane” and “House Party” were no match for “Avatar: The Way of Water” and the killer doll horror “M3GAN” at the box office this weekend.

The box office roared back to life with the long-awaited release of “Black Panther: Wakanda Forever.”.

The horror film “The Invitation” needed just $7 million to finish at the top of the weakest weekend of the summer at the North American box office.

“Thor: Love and Thunder” earned $143 million in its opening weekend in North America, according to studio estimates Sunday.

Doctor Strange and his multiverse got to linger a little longer atop the weekend box office while Tom Cruise waits in the wings.

“Doctor Strange in the Multiverse of Madness” stayed on top of the box office charts in its second weekend in theaters.

“Sonic the Hedgehog 2” sped to the top of the charts in its opening weekend, earning an impressive $71 million according to studio estimates Sunday.

Tom Holland might be without his Spider-Man suit in “Uncharted,” but his latest action-adventure is still doing good business at the North American box office.

The latest attempt to revive “Ghostbusters” has drawn a sizable audience to movie theaters while the awards darling “King Richard" is struggling.

Disney and Marvel’s “Eternals” fell 61% in its second weekend in theaters, but it’s still hanging on to first place ahead of newcomers like “Clifford the Big Red Dog.”.

“Candyman” has hooked the top spot at the North American box office.

Despite growing concerns over the delta variant, “Jungle Cruise” still drew moviegoers out to theaters during the film’s opening weekend to sail atop the North American box office.

Even with an option to watch “Black Widow” at home, audiences went to the movie theater in pandemic record numbers this weekend to catch the first Marvel movie released in two years.

In the biggest sign yet that life is left in movie theaters, “F9” sped to $70 million in its first weekend, the biggest pandemic-era opening for a film.

“The Hitman’s Wife’s Bodyguard” has hit the top box office target.

About three quarters of the country’s movie theaters are open, but Americans are not going back in significant numbers in the COVID-era, even with new films coming into the marketplace weekly. The faith-based “Infidel,” which stars Jim Caviezel, did the best with $1.5 million from just over 1,700 theaters. Both played in under 500 theaters across the country and neither got much more than $200 per location. “The Nest” earned an estimated $62,000 from 301 locations and “The Secrets We Keep” brought in just under $90,000 from 471 theaters. Christopher Nolan's “Tenet” has only earned $36.1 million from North American theaters to date.